2025 SUMMER

 

Euro Arts Academy Summer 2025
    Szczecin, Poland
    July 03 ~ August 25

        Each course will be open with 5 day class schedule. 
        1. July 3 - 7
        2. July 8 - 12
        3. July 14 - 18
        4. July 19 - 23
        5. July 25 - 29
        6. July 30 - August 3
        7. August 5 - 9
        8. August 10 - 14
        9. August 16 - 20
        10. August 21 - 25

         [Application and Inquiry]

         emfapply@gmail.com

         euroartsacademy.org

Silver-Garburg

Teaching Dates : August 5 - 9, 2025
Teaching Languages : English, German

SILVER-GARBURG | Piano Duo                  

In the great and often underappreciated art of piano duo playing, Sivan Silver and her partner Gil Garburg are setting a new standard: acclaimed by audiences and critics alike, the duo has been invited time and time again by top orchestras, festivals, and concert organizers. They have performed in Carnegie Hall, Lincoln Center, the Vienna Musikverein, the Salzburg Festspielhaus, the Sydney Opera House and the Berlin Philharmonie; they have concertized in approximately 70 countries on five continents; and they collaborate regularly with such orchestras as the Israel Philharmonic, the St. Petersburg Philharmonic, the Melbourne Symphony and the Deutsche Kammerphilharmonie.

Their recording of Mendelssohn’s concertos for two pianos and orchestra, with the Bavarian Chamber Philharmonic under Christopher Hogwood, has been called “breathtaking” (Bayerische Rundfunk), “extremely exciting” (Süddeutsche Zeitung), and “brilliant” (Rondo). Their Stravinsky ballets CD has been described as “grandiose” (Pizzicato, Supersonic Award), “thrilling” (Fono Forum, CD of the Month) and “wonderfully enchanting” (Der Neue Merker). The Frankfurter Allgemeine Zeitung raved about the “lyrical sensitivity and the ravishing technical mastery” of the duo, noting that only rarely does one experience “such spontaneous shouts of ‘bravo’” at the end of a concert. The Independent concluded: “What a wondrous evening!”

Their most recent album, “Illumination”, was presented in a recital at the Elbphilharmonie Hamburg and released in April 2019 under the Berlin Classics label. “Let there be light!” titles the music magazine Concerti its choice as “CD of the week” and praises the “superb tonal sensibility, outstanding ensemble playing and imaginative rubati and agogic”. “The Schumann is played beautifully and is actually better than the very good Argerich and Barenboim recording” commends the American Record Guide and concludes “The whole package is truly, as titled, an 'Illumination' of works”. “The publication comes close to an enlightening revelation” raves the Aachener Zeitung. "A veritable aha effect” enthuses the Piano News reviewer, who describes the recording as “illuminating the complexity of this masterpiece in a way that has never been heard before”. Radio Bremen describes "The greatest art of two pianos playing. Stunning virtuosity... fantastic interplay... How Sivan Silver and Gil Garburg master this extremely delicate task borders on a miracle" and concludes “With this record, the two have ultimately established themselves at the top of the international piano duo scene”.

The Silver-Garburg Piano Duo joined forces with the Vienna Symphony and Maestro Florian Krumpöck to record the world premiere of a new concerto, which was written for and dedicated to them: Richard Dünser’s adaptation of Brahms Quartet Op. 25 for piano, four hands and string orchestra, which is based on the two original versions by Brahms (for piano quartet and for piano, four hands). The recording took place at the Wiener Konzerthaus and will be released in 2020.

The Silver-Garburg Piano Duo looks forward to exciting concerts in the upcoming seasons. The two Israelis, who live in Berlin with their son, can be heard in North and Latin America, East Asia, Australia, New Zealand, Israel, and in numerous European countries. Highlights include performances with the Lucerne Symphony at the Musikverein in Vienna and at the KKL Lucerne, with the Belgian National Orchestra at the Großes Festspielhaus in Salzburg and at the Bozar in Brussels. The duo appears as soloists with the Orchestra of the Americas, alongside Yo-Yo Ma and Claudio Bohorquez, at their 2021 European tour. Sivan and Gil are happy to continue their musical collaboration with orchestras such as the Deutsche Kammerphilharmonie, Jerusalem Symphony, Bruno Walter Symphony, Wiener Concert-Verein, Mantua Chamber, Israel Chamber, Berlin Symphony, Bayerische Kammerphilharmonie, Brno Philharmonic and many more.

Since 2014, the Silver-Garburg Duo occupy one of the few extant professorships for piano duo, at the Graz University for the Arts. They present master-classes at leading academic institutes in Moscow, Beijing, Melbourne, Vienna, Jerusalem, Wellington, Tallinn, Washington, Helsinki, Bratislava and more. Previously, they taught at the Hannover Musikhochschule, at which they themselves completed their studies in 2007 under Prof. Arie Vardi.

Silver and Garburg were well on the way to promising solo careers when they paired up first privately and then at the piano. “We express our own emotions and, at the same time, a combined sensibility. We are one, and yet we’re in dialogue with each other – that’s the magic,” says Silver. And Garburg adds: “The more we work together, the more we grow together and the freer we become. Like a conductor realizes his or her vision with an orchestra, we can realize all that we envision with four hands.”

After 20 years of playing together, Sivan Silver and Gil Garburg are establishing themselves at the top echelon of the music world. “As a piano duo, it’s easy to make effects with virtuosity. But that alone is far too little. We want to move our listeners emotionally and bring them to the core of the music”.

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Anna Korondi

Teaching Dates : August 5 - 9
Teaching Languages : German, English, Hungarian

Anna Korondi was born 1969 in Budapest, Hungary. She pursues voice studies at Béla Bartók Conservatory of Music Budapest from 1987, and then subsequent studies at Vienna Conservatory as soloist with Prof. Margarete Bence and in Lied and oratorio with Prof. David Lutz from 1989. She graduated with honors in 1993.

She obtained then simultaneous engagement with the Österreichischer Rundfunk Choir Vienna with solo duties focusing on contemporary music from 1989 to 1993, and she became also ensemble member at Komische Oper Berlin until 1997 as well as at Bonn Opera until 1999.

Anna Korondi has been invited to perform at renowned festivals such as Salzburg Festival (“Die Fledermaus”), Schwetzingen Festival (“Figlio del selve”), Bayreuth Festival (“Parsifal” under the direction of Christoph Schlingensief), Budapest Wagner Festival (“Das Rheingold”, Götterdämmerung“), Herrenchiemsee Festival (“Falstaff”) and Vienna Schubert Festival (“Alfonso and Estrella”), as well as at numerous theaters such as Bavarian State Opera (including “The House of Bernarda Alba“ under Zubin Mehta, “Arabella”), Theater Münster (“Der Rosenkavalier“),Turku Concert Hall (“Don Giovanni”), Komische Oper Berlin (eminent Mozart rolls) and Teatro di San Carlo in Naples (“Parsifal”).

She is a regular guest at prominent European orchestras such as Chapelle Royal, Gewandhausorchester Leipzig, Westdeutscher Rundfunk Symphony Orchestra, Hessischer Rundfunk Symphony Orchestra, Concentus Musicus Vienna, Swedish Radio Symphony Orchestra and Royal Flemish Philharmonic amongst others.
She also performs diverse concerts and Lied performances throughout Europe, Asia and South America.

She collaborates with directors such as Christoph Schlingensief, Harry Kupfer, Christine Mielitz, Hans Neuenfels, Manfred Beilharz and Andreas Homoki, and with conductors Zubin Mehta, Pierre Boulez, Philippe Herreweghe, Helmut Rilling, Nicolaus Harnoncourt, Adam Fischer, Peter Schneider and Herbert Blomstedt amongst others.

Anna Korondi has been invited to perform on numerous radio, television and CD productions with labels Farao Classics (“Vineta – Ein Liederabend” by J. Brahms, “Requiem” by W.A. Mozart, “Matthäuspassion” by J.S. Bach), Hungaroton (first recording “Il Gelsomino” by G.F. Händel with solo cantatas, “Z. Kodály – Complete Edition for Voices and Piano”), Capriccio (“Athalia” by F. Mendelssohn Bartholdy, “Die letzten Dinge” by L. Spohr), BIS Records AB (“Forest of the Amazon”) amongst others.

She was awarded 3rd prize at Erkel-Kodály Singing Competition Budapest in 1990, the International Prize at Mary Garden Singing Competition Aberdeen in 1991, 2nd prize at Grand Prix Franz Schubert Vienna in 1991 and winner of the ARD International Music Competition in 1996.

Anna Korondi is lecturer at master courses in Stavanger 2004, Sao Paulo 2007 and at Liszt School of Music Weimar in 2012.

Since 2007, she has been a lecturer at the Academy of Music Hanns Eisler of Berlin and since 2010 at the Hochschule für Musik Franz Liszt Weimar in Weimar.
Since winter semester 2013, she is also Professor for Voice at Berlin Hanns Eisler Hochschule für Musik, where she also leads a contemporary music course in addition to his vocal class.

• Geboren 1969 in Budapest, Ungarn  

• Ab 1987 Gesangsstudium am Bela Bartók Konservatorium Budapest, anschließend ab 1989 am Konservatorium in Wien in den Fächern Sologesang bei Prof. Margarete Bence sowie Lied und Oratorium bei Prof. David Lutz, 1993 Diplom mit Auszeichnung

• Studienbegleitendes Engagement im ORF-Chor Wien von 1989 bis 1993 mit solistischen Aufgaben und Schwerpunkt auf zeitgenössischer Musik, anschließend Ensemblemitglied an der Komischen Oper Berlin bis 1997 und an der Oper der Stadt Bonn bis 1999 

• Gastengagements bei renommierten Festivals wie den Salzburger Festspielen („Die Fledermaus“), den Schwetzinger Festspielen („Figlio del selve“), den Bayreuther Festspielen („Parsifal“ unter Regie von Christoph Schlingensief), den Budapester Wagnertagen (Ring), den Herrenchiemsee Festspielen („Falstaff“) und den Wiener Schubertwochen („Alfonso und Estrella“) sowie an zahlreichen Theatern wie der Bayrischen Staatsoper (UA „Bernada Albas Haus“ unter Zubin Mehta, „Arabella“), den Städtischen Bühnen Münster („Der Rosenkavalier“), dem Konzerthaus Turku („Don Giovanni“), der Komischen Oper Berlin (wichtigste Mozartrollen) und dem Teatro di San Carlo in Neapel („Parsifal“) 

• Regelmäßiger Gast bei großen europäischen Orchestern wie Chapelle Royal, Gewandhausorchester Leipzig, Rundfunkorchester des WDR und HR, Concentus Musicus Wien, Schwedisches Radio-Sinfonieorchester, Royal Flemish Philharmonic u.a. 

• Umfangreiche Konzert- und Liedtätigkeit in Europa, Asien und Südamerika 

• Zusammenarbeit mit Regisseuren wie Christoph Schlingensief, Harry Kupfer, Christine Mielitz, Hans Neuenfels, Manfred Beilharz und Andreas Homoki sowie mit den Dirigenten Zubin Mehta, Pierre Boulez, Phillipe Herreweghe, Helmut Rilling, Nicolaus Harnoncourt, Adam Fischer, Peter Schneider, Herbert Blomstedt u.a. 

• Zahlreiche Rundfunk-, Fernseh- und CD-Produktionen bei den Labels Farao Classics („Vineta – Ein Liederabend“ von J. Brahms, „Requiem“ von W.A. Mozart, „Matthäuspassion“ von J.S. Bach), Hungaroton (Erstaufnahme „Il Gelsomino“ von G.F. Händel mit Solokantaten, „Z. Kodály – Complete Edition for Voices and Piano“), Capriccio („Athalia“ von F. Mendelssohn Bartholdy, „Die letzten Dinge“ von L. Spohr), BIS Records AB („Forest of the Amazon“) u.a. 

• Auszeichnung mit dem 3. Preis beim Erkel-Kodály Gesangswettbewerb Budapest 1990, dem International Prize beim Mary Garden Gesangswettbewerb Aberdeen 1991, dem 2. Preis beim Grand Prix Franz Schubert Wien 1991 und Gewinnerin des Internationalen Musikwettbewerbes der ARD 1996 

• Dozentin bei Meisterkursen in Stavanger 2004, Sao Paulo 2007 und an der Hochschule für Musik FRANZ LISZT Weimar 2012 

• Ab 2007 Dozentin an der Universität der Künste Berlin und seit 2010 auch an der Hochschule für Musik FRANZ LISZT Weimar 

• Ab Wintersemester 2013 Professorin für Gesang an der Hochschule für Musik Hanns Eisler Berlin

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